There is no deception in this proclamation. Yorick was in fact a jester to Hamlet’s father when Hamlet was a boy. “A man of infinite jest and most excellent fancy” he would pick up Hamlet and give him rides on his back (“He hath borne me on his back a thousand times.”) So this figure from Hamlet's childhood is now long-dead, and is now deteriorating in his grave. (A common practice in these times is to disturb one grave to dig another.) The whole scene is re-establishing one of the themes of the play, the dichotomy between the physical world of flesh and bone, and the possibility of a “spiritual” world after death. It is also an excellent example of how Shakespeare uses Horatio as a character whose function in the dramaturgy is to be a sounding board that allows us, the audience, to be privy to Hamlet's thoughts.
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